The seamstress, the dress and the Ocean

There are clearly few, who are so talented as Connie WalkerShaw.

Today I pick up the dress she made for me from special  fabric that had been given to me when I was 35. I remember because it was given to  me by an older woman artist who shares my birthDAY and lives in a synagogue. She gave me the fabric when she was 70. She was twice my age. The fabric has gold threads in it. It is like a color shifting fairy tale fabric that changes from lavender to gold, hinting at rose.

I am late picking up the dress, so her lesson is already underway. I try on the dress which is magical and am ready to go. As I leave, I ask the student seamstress if she knows that Connie also is in a band and that she can play two saxophones at once? The little girl says a shy “no”. I smile, shrug, raise my eyebrows and say “well, she can” and leave.

After WalkerShaw I drive to the beach..   20120317-201932.jpg   Ocean Beach in San Francisco is like heaven. It is so empty and so nothing. I can see as far as I can see in three directions. My cells take in the empty vastness with relief. This hasn’t changed. I think then, have I changed? Each time I stand at Ocean Beach I remember other times I’ve stood before her. Before the ocean and cried out with my soul for all that I hope for. She solicits requests like that. The ocean is vastness itself. Before her, troubles shrink and expire, being obviously temporary. She emanates eternal presence, over and over, her waves sounding like a large echo of my internal self; of something that helps me let go and know.

It’s the same, and different. It always is.

Two solitary men pass me going one way; then an older couple passes the other way. That’s it. The beach’s nature to human ratio is nourishing, safe and separated from the highway by blocks and blocks of gorgeous graffiti, painted on the ocean side, I assume late at night.

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There are birds. That familiar seagull silhouette is everywhere; taking off and landing. I notice a particularly nice one but sense something odd about it. It’s the wrong size. I realize it’s outdoor art of some kind as it is not a real bird and even far away it reads clearly and I like the design so I walk towards it. It takes longer than I expect. Getting closer I see it’s a sign. Not a regular government sign but still it seems official. It says something like “strawberry ice plant sanctuary ends here”, yet there’s nothing but sand for miles.

 

Letters to Santa in May

DSC_0001   A couple of days ago, in the middle of May, I got a large envelope in the mail. It was a very official United States one from the “Bay Valley District of Consumer and Industry Affairs Office”.  Needless to say, I was worried. As a self employed person putting two kids through college, I wondered what I could have done wrong on which of the countless tax and financial aid forms I fill out.

It was thin, like one sheet of paper inside. That also didn’t seem like a good thing in my fear based state. An 11×14″ white envelope with a government seal and one sheet of paper inside?

So I wait a day and then open it. To my amazement it is an apologetic letter from the post office. An announcement for an art opening I had last December somehow got itself to the “Letters to Santa” receptacle.

My card was “mistakenly treated as one of the legitimate request letters”. Who knew such a place existed? and that “every piece of mail at said receptacle is intended to be fulfilled by one of our santa helpers”!

They did not know what to do with my card. So they sent it back; with apologies, hoping I’d understand. Truth is, I’m thrilled my request got to Santa, but I don’t really understand.